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This captivating drawing allows us the privilege of seeing the artistic process at work. In this unique composition, a series of animals are shown trailing behind one another, each one in a slightly reduced stage of sketching, yet all magnificent in distinct ways. This finely executed pastoral drawing, attributed to Thomas Sidney Cooper or a close follower, captures a tranquil procession of cattle and sheep approaching water. Rendered in graphite and wash, it displays the assured technique and compositional harmony typical of Cooper’s school. Each animal advances in varying degrees of finish—from soft preliminary outlines to fully realized forms—revealing the artist’s disciplined observational method. The delicate tonal gradations and confident use of line convey both anatomical accuracy and gentle rural atmosphere. The composition closely parallels Troup of Cattle and Sheep Approaching a Ford Followed by a Woman on an Ass, held in the Dunedin Public Art Gallery, New Zealand
https://collection.dunedin.art.museum/objects/776/troup-of-cattle-and-sheep-approaching-a-ford-followed-by-a-woman-on-an-ass
Image H 27 cm x W 39 cm (image) and presented in a gilt frame of H 51 cm x W 63.5 cm x D 3 cm, this work exemplifies 19th-century British pastoral draftsmanship at its most refined.
Artist
Thomas Sidney Cooper (1803–1902) or follower.
Artist Details
Thomas Sidney Cooper was among Britain’s most admired animal painters, celebrated for his sensitive portrayals of cattle and sheep in idyllic countryside settings. Elected a Royal Academician in 1867, he influenced generations of artists through his naturalistic yet poetic style, often combining direct observation with compositional elegance.
Movements
Victorian Pastoral Realism
Artist Influenced by
Influenced by Dutch masters such as Paulus Potter and Aelbert Cuyp, whose treatment of light and livestock shaped his artistic approach.
Frame Size: H 51 cm x W 63.5 cm x D 3 cm
Image Size: H 27 cm x W 39 cm
Frame Condition
Displayed in a classic gilt frame with refined ribbed moulding and mild age wear, complementing the drawing’s period character.
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